![]() |
![]() |
![]() |
|||||||||||
>
| JOHN GUTMANN CHRONOLOGY | |
| 1905 | Born Breslau, Germany |
| 1914-1923 | Attends Johannes Gymnasium, Breslau, Germany. Abiturium. |
| 1923-1927 | Receives B.A., Staatliche Akademie fur Kunst und Kunstgewerbe zu Breslau,Germany. Studies with Otto Mueller as a master student. |
| 1926 | Meets Erich Heckel. Travels to London. |
| 1926-1927 | Studies art history and philosophy at Schlesische Friedrich Wilhelms Universitat zu Breslau. |
| 1927 | Exhibits paintings at Schlesischer Kunstlerbund and in Junge Talente, at the Museum der Bildenden Kunste, Breslau, Germany. Moves to Berlin. |
| 1928 | Receives M.A., Preussisches Schulkollegium for Hohere Erziehung, Berlin. |
| 1928-1931 | Travels
in Europe. Post-graduate studies at Humboldt Universitat zu Berlin and Berliner Akademie der Bildenden Kunste. Solo exhibition of paintings and drawings, Gallerie Gurlitt, Berlin (1931). Included in exhibitions of Berliner Secession and Preussische Akademie der Kunste. Teaches art at various schools in Berlin. |
| 1933 | Leaves Germany; begins to photograph. Signs contract as photojournalist with Presse-Foto, Berlin. Journey to San Francisco via the Panama Canal. |
| 1934 | Joins California Camera Club, San Francisco, to use their darkroom facilities, meets many members, mostly of the Pictorialist school. Travels along U.S. west coast to British Columbia. Photographs published in international magazines. Meets Walter Heil, an advocate for modern art, fellow German émigré, and director of the M.H. De Young Memorial Museum, San Francisco. |
| 1935 | Solo exhibition of drawings and watercolors, Paul Elder Gallery, San Francisco, under the directorship of Howard Putzel. |
| 1936 | Teaches art part-time, San Francisco State College. Travels across United States from San Francsisco to New York. Stops include Reno, Salt Lake City, Chicago, Detroit, Cleveland, Baltimore, Philadelphia, Atlanta, New Orleans, San Antonio, Tucson, San Diego and Los Angeles before returning to San Francisco. Ceases affiliation with Presse-Foto and begins work with Pix Inc., New York. Meets George Grosz during stay in New York. |
| 1937 | Returns to San Francisco. Continues teaching art part-time, San Francisco State College. Solo exhibition of drawings and paintings, San Francisco Museum of Art. Solo exhibition of drawings, Delphic Studios, New York. |
| 1937-1962 | Photographs published in Saturday Evening Post, Life, Time, Look, Picture Post, National Geographic, Pictorial Press, Coronet, Asia, U.S. Camera Annuals and other national and international magazines and periodicals. |
| 1938 | Appointed Assistant Professor of Art, San Francisco State College. Establishes studio courses and a comprehensive scholarly course on history of modern art. Solo exhibition of photographs, Colorful America, M.H. de Young Memorial Museum, San Francisco, circulated nationally. Solo exhibition of watercolors and drawings, Wayne State University, Detroit, Michigan. |
| 1939 | Exhibited in Contemporary Art, Golden Gate International Exposition, San Francisco(see American Magazine of Art, The America Federation of Arts, vol, 32, no. 3, 1939, p,185). Meets and photographs Laszlo Moholy-Nagy. |
| 1940 | Meets and photographs Fernand Leger. |
| 1941 | Solo exhibition of photographs, Wondrous World, M.H. de Young Memorial Museum, San Francisco. Exhibited in Image of Freedom, The Museum of Modern Art, New York. |
| 1942 | Two-man exhibition, Paintings by John Gutmann and Karl Baumann, San Francisco Museum of Art |
| 1942-1945 | Staff photographer for The Dispatch, Camp Roberts, California. Serves with U.S. Army Signal Corps as still and motion picture cameraman after graduating from the Signal Corps Motion Picture School, Astoria, New York. |
| 1943-1945 | Serves overseas in the China-Burma-India Theatre, U.S. Office of War Information with the Psychological Warfare Team. |
| 1946 | Returns to teaching. Establishes a creative photography program at San Francisco State College. |
| 1947 | Solo exhibition of photographs, The Face of the Orient. M.H. de Young Memorial Museum, San Francisco. |
| 1949 | Appointed
Associate Professor of Art, San Francisco State College. Produces two documentary
films, The Chinese Peasant Goes to Market and Journey
to Kunming.
Marries artist Gerrie von Pribosic. |
| 1949-1963 | Founder of international film program, Art Movies, San Francisco State College. Directs programs of international experimental, documentary, art, and early classic films. |
| 1949-1990 | Frequent travels to New York City. |
| 1950 | Travels to Mexico; post-graduate work at the University of Mexico. |
| 1955 | Appointed full Professor of Art, San Francisco State College. |
| 1956 | Meets Wynn Bullock. |
| 1957 | Extensive still photography and motion picture footage on modern architecture in Europe during seven month tour through Portugal, Spain, Morocco, France, Italy, Germany, Holland, Belgium and England. |
| 1960 | Travels to Mexico. |
| 1962-1972 | Little work in photography due to prolonged illness, but continues teaching 1965-1973. |
| 1968 | Honored for Distinquished Teaching by the California State Colleges. |
| 1970 | Visits Berlin for the first time since 1933. Visits Oslo (Edvard Munch Museum), Norway, and northern European capitals. |
| 1972 | Starts to reprint early negatives. |
| 1973 | Retires from full-time teaching; named Professor Emeritus at San Francisco State University (formerly San Francisco State College). |
| 1974 | Solo exhibition of photographs, John Gutmann, Light Gallery, New York. |
| 1976 | Solo exhibition of photographs, as i saw it, San Francisco Museum of Modern Art. Two-man exhibition, John Gutmann and Walker Evans, Vintage Photographs of the 1930s, Phoenix Gallery, San Francisco. |
| 1977 | Receives Guggenheim Fellowship in photography for proposed series of photographic images dealing with the visual use of language and popular emblems in American life during the 1930s and 1940s. |
| 1979 | Exhibits nationally and internationally in many solo and important invitational group shows. Work acquired by many museums and private collections. |
| 1983 | Produced documentary film, Le Palais Ideal, edited by Karen Holmes. |
| 1984 | Published The Restless Decade: John Gutmann's Photographs of the Thirties. Harry N. Abrams, Inc., Publishers, New York. Edited by Lew Thomas with essay by Max Kozloff. |
| 1985 | Retrospective exhibition and catalogue:GUTMANN, Art Gallery of Ontario, Toronto. Continues printing and organizing archive of life's work. Participates actively in exhibiting and publishing. |
| 1989 | Travels
to Barcelona, Spain for opening of exhibition, John Gutmann, 99 Fotografies.
Solo exhibition, John Gutmann: Beyond the Document, San Francisco Museum of Modern, Art, exhibiton travels to Museum of Modern Art, New York; Allen Memorial Art Museum, Oblerin Ohio; Los Angeles County Museum of Art. |
| 1990 | Travels to New York City for opening of exhibition, John Gutmann: Beyond the Document, at the Museum of Modern Art and concurrent show of Talking Pictures, 1934-1989, at Castelli Graphics. |
| 1995 | Exhibits, Prelude to Photography, paintings and drawings done in Germany and American in the late 1920s through the 1930s at the M.H. de Young Memorial Museum, San Francisco. Simultaneous exhibit of drawings from the same period at 871 Fine Arts Gallery, San Francisco. Exhibition entitled, Death, at Fraenkel Gallery, of vintage photographs, plus prints and objects from Gutmann's collections. |
| 1996 | Paperback edition of The Restless Decade: John Gutmann's Photographs of the Thirties published by Harry N. Abrams, Inc., Publishers, New York. |
| 1997 | Exhibition John Gutmann Parallels in Focus, San Francisco State University, an exhibition of photographs, paintings and drawings, films and ephemera honoring his career and contributions to the school. |
| 1998 | Dies June 12, San Francisco, California |